Some insist that this is the only way you should see it-that it’s not enjoyable any other way. In the U.S., plenty of people experience the movie like this, not only the first time they see it, but every time they see it, for years, even when they join the local cast. But when you’re there, you’re not following the intricacies of the movie’s plot. It keeps things interesting for the people who’ve seen the movie a hundred times, it keeps people coming back, and it’s kept Rocky in theatres for 44 years so far. Rocky Horror Shadow Cast: Sins o’ the Flesh. They may have a vague idea of what the movie is about, they might dress up as characters they’ve seen from it, and they turn up with their friends for a night of fun-a teenage rite of passage.ĭuring this night, the movie is playing, the cast members are running around in front of the screen, the more seasoned audience members are shouting call backs (funny lines that fit in with the movie), people are switching seats or wandering around the movie theatre to socialize with their friends or make out with strangers, teenagers who got too drunk are stumbling to the bathroom, and people are throwing all sorts of things (audience participation props like confetti, toilet paper, and playing cards) all over the place. In contrast, many Americans (including numerous people I know) have their introduction to Rocky among all the chaos of a shadow cast. ![]() In those seven years I’d probably watched the film on VHS about fifty times, seen the play about ten times (including once on Broadway), and spent countless hours thinking, reading and talking about Rocky. By the time I finally did get to see an American cast, I was 20, and it had been seven years since I’d first heard that soundtrack. ![]() ![]() A few years after that, I saw a kind of partial shadow cast that came to my hometown, but they only performed half of the movie, and it wasn’t the same as seeing a real American cast. About six months later, I got to see the play for the first time. Instead, I had to make do with finally watching the movie on VHS as the summer drew to a close. I read about the shadow casts in the U.S., who act out the movie while it plays on the big screen every week, and I wished we had them in the U.K. I dedicated school art projects to Rocky, I wouldn’t stop talking about Rocky, and I spent my free time poring over Rocky fansites. I’d never felt so connected to anything I’d seen or heard, though I couldn’t quite explain it. When I listened to it over and over that summer, something about it struck a chord with me, and it changed my life. The Rocky Horror Show: The Whole Gory Story. It was also a fantastic version-still one of my favorites-marketed as The Rocky Horror Show: The Whole Gory Story. ![]() However, one thing was special about it-unlike other soundtracks, this one included all of the dialogue from the play as well as the songs. It wasn’t even one of the original productions, but one from the early ‘90s. I hadn’t seen the movie yet-I hadn’t even seen the play. When I left, she copied it onto a cassette tape for me, and I listened to it constantly for the rest of the summer. She played me the soundtrack of a production of the play that her mum had. It was the summer of ’98, and I was staying with a friend for a week. I first got into it when I was 13, growing up in the U.K. For me, discovering Rocky Horror came in stages, with one incarnation of it followed by another, then another.
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